Lucky Cloud, Your Sky


LittleBits-Granular Synthesis-Make Yr Own Tech/Sound-Innovate don’t fixate.
May 23, 2009, 3:28 pm
Filed under: media, music, technology | Tags: , , , , ,

From a post at “we make money not art”, I found this project called littleBits. The idea is a fairly simple one:

littleBits is a growing library of preassembled circuit boards, made easy by tiny magnets. All logic and circuitry is pre-engineered, so you can play with electronics without knowing electronics. Tiny magnets act as connectors and enforce polarity, so you can’t put things in the wrong way. And all the schematics will be shared under an opensource license so you can download, upload, suggest new bits and hopefully see them come to life.

Basically, the project means to democratize the creation of physical technology in much the same way that Cycling ‘74 and IRCAM democratized the means of granular synthesis, or the synthesis of sound from the bottom up, the freeing of the most microscopic materials of sound sampling, allowing one to create their own electronic instruments. They did this first with MAX/MSP, and, in fact, even more so with PureData. (Thanks, Miller Puckette).

Tim Hecker discussed the need for granular synthesis in an electronic music issue of the now-defunct Parachute Magazine, and I think the argument he makes holds for physical, “black-boxed” technology as well as it does for electronic music. The essential idea is that the fetishization of technology or neo-naturalism are both backward ways of dealing with technological development. That is to say, we need to examine the technology insofar as it allows us to move beyond it, rather than allow ourselves to be seduced by a meditation on the state of a single technology, to fixate rather than innovate:

Perhaps a form of electronic music will come which will leave the technology it uses as only a trace — so that the aesthetic field opens up again to allow for spaces which are free from the suffocation of medium-based discourses; an electronic music which leaves its technology as just a murmur.

We do this precisely through, he suggests, granular synthesis rather than pre-programmed sound production software. The beauty computer-made music is, with relatively minimal expertise, how one gains an astounding control over the whole range of possible sounds. LittleBits seems to be making the same possible for those without a complex understanding of circuitry and mathematics (one of the problems holding the spread of granular synthesis is the grasp of mathematics it requires, though, anyone who passed trigonometry should find it well within the realm of possibility to learn).

LittleBits, if you read the interview, seems to require only that you match colors and conceive of simple circuits. It is certainly a first stage, but I think it is the first stage of something wonderful: freeing the basic materials of electronic technologies so that people can make them for themselves. Perhaps some day we will have LittleBits stores next to craft stores: it seems to be a potentially complex but basically simple kit with a nearly infinite number of interesting and cool possibilities. The number of possible basic units is both staggering and encouraging. The idea presents people with the building blocks of their own electronic experimentation, no complex machinery, start-up capital or fancy engineering education required. Maybe some will get a taste for it and move on to more advanced experimentation.

Obviously, this system by itself will not replace consumer technologies with a DIY culture, but projects like this are an exciting step in the correct direction.

Which is all to say: make yr own technology!



In conversation with Mickaël Mottet of Angil & Hiddntracks
May 6, 2009, 4:06 pm
Filed under: interview, music, oulipo | Tags: , , , , , , , , , ,

I am cross-posting this with my other, collaborative blog: ghostisland.wordpress.com

______

A few months ago I found this album by “Angil and Hiddntracks” called Oulipo Saliva, which was built with a great deal of interest in constraint, avoiding the use of the letter “e,” focusing on woodwind instrumentation, the use of an old untuned piano, and even avoiding the use of the key of E.

I would certainly recommend it–a carefully crafted piece at every level. Here’s their myspace page.

With experiments like this, results can be either gimmicky or a wonderful surprise. They are, in this case, pretty dazzling. I wrote a small piece about it and Mickaël must have had a google alert set up for his name, because he dropped me a message and then graciously agreed to have an email conversation with me about his music.

Here’s the text: I think you’ll find that Mickaël is an uncommonly aware, crafty, sharp, interesting, and friendly musician. I’ve let him know that I will be posting this here, and that you may be commenting on it. So, if you have anything to say, make sure to say it.

I would definitely recommend reading the conversation, he’s a lovely guy with a lot of things to say. My apologies for talking so much.

(more…)



famous first line friday, part the first.
April 24, 2009, 9:22 am
Filed under: Famous first line Friday

“LOL me Ishmael.”



Stephen Fry: The internet and Me
April 17, 2009, 8:55 am
Filed under: literature, media | Tags: , , ,

BBC NEWS | Technology | Stephen Fry: The internet and Me.

This article has excerpts from an interview Stephen Fry gave. He is uncommonly even-handed and gently provocative in his criticisms of both the internet and critics of the internet. Certainly worth reading for a man who personifies the concept that there is no “high” or “low” culture. Only culture.

Finer points:

From a defense of abbreviation: “Read Byron’s letters. Never was a mind more perfectly expressed and yet in this fantastically compressed form.”

On email and the liberation of the voice: Suddenly there’s wit, charm, self-deprecation, self-knowledge, understanding – all kinds of qualities.

It’s a literary form in the most basic sense that you’re writing and it’s rather wonderful. The phone will be seen, I think, as a terrible aberration.

On why books will not die with technology: And we love them. I love them. You don’t throw away your books when you buy a computer. You keep both. The beauty of living in the present day is you don’t abandon the past. The past co-exists.



Twitter: Social Media, Ambient Awareness, Constraint.
April 13, 2009, 7:57 am
Filed under: NYTimes, literature, media, oulipo, technology | Tags: , , ,

The image “http://graphics8.nytimes.com/images/2008/09/02/magazine/07awareness.1-650.jpg” cannot be displayed, because it contains errors.

Much of what we do online has obvious analogues in the past: E-mail and IM replace letters and face-to-face chatting. Blogging is personal pamphleteering. Skype is the new landline. Social networks let us map our real-life connections to the Web. It’s not surprising, then, that these new tools deliver obvious social utility—Facebook is the best way to get in touch with old friends, and instant messaging is the quickest way to collaborate with your colleagues across the country. Twitter is different. It’s not a faster or easier way of doing something you did in the past, unless you were one of those people who wrote short “quips” on bathroom stalls. It’s a totally alien form of communication. Microblogging mixes up features of e-mail, IM, blogs, and social networks to create something not just novel but also confusing, and doing it well takes time and patience. That’s not to say it isn’t useful; to some people in some situations, Twitter is irreplaceable. But it is not—or, at least, not yet—a necessary way to stay socially relevant in the information age.

via The reluctant Twitterer’s dilemma. – By Farhad Manjoo – Slate Magazine

This may be true, but this is no reason to swear off Twitter. Yes, I am blogging about Twitter, I understand the absurdity of it. But might it be valuable to introduce a new form of communication that has no direct antecedent? Doesn’t this just mean that it has untapped potential for a differentiation in our manner of communication? I’m not sold that twitter is completely useless, though I am sold on the idea that it is completely distracting. Thoreau made an interesting point on the telegraph:

We are eager to tunnel under the Atlantic and bring the old world some weeks nearer the new, but perchance the first news that will leak through the broad, flapping, American ear will be that Princess Adelaide has the whooping cough.

On another point: there was a very interesting NYTimes article back in September that spoke to what sociologists call “ambient awareness,” which is, say, the awareness we gain of a person’s moods, health, etc, by sitting in the same room and consciously or unconsciously picking up on small, mostly non-verbal cues. Maybe your friend’s eyes are a bit red, or they are slower in responding than usual, seem sluggish, maybe there is just something about them that just seems different. The article compares the inundation of data we receive from social media to this sort of awareness. Granted, many people seem to view Twitter or Facebook as a contest in which you are required to make as many friends as possible, and this seems ridiculous to me, but as a tool to keep up with people you are sincerely interested in, it simply has no parallel or better in the past.

The communication media of the past had a more direct purpose of conveying an important piece of information: letters were written and rewritten so as to guarantee the truth and nuance of the prose, telegrams were studies in the economy of language, even an email is more important-information oriented than Twitter. Twitter is undirected communication, it is neither completely for someone else nor entirely for yourself. It allows for the harmless presentation of absolutely mundane details without the risk of wasting someone’s time who would rather be doing something else: “I ate a sandwich.” “My throat hurts.” “Celtics down already!” etc. The details are mundane, but may have the effect that a tv often does for people living alone: there are voices in the room. You gain an ambient awareness of those you follow. You can read a book, work on your thesis, etc, but there are voices in the room with you. Things my friends would find too mundane to tell me in an email are exactly the sort of thing they would mention on Twitter or if we were in person, just sitting down for a meal, or maybe watching tv together.

Furthermore, some people are truly masters of the short form: Felix Fenéon for instance wrote little more than tiny little stories based on the news of the day–which, incidentally, someone is posting on Twitter. Marshall Mcluhan also has a ghost-twitterer, and the form would make sense for any writer with a gift for terse, densely packed statements. As an illustration, here are some examples from NYRB’s collection of Feneon’s stories titled Novels in Three Lines:

A dishwasher from Nancy, Vital Frerotte, who had just come back from Lourdes cured forever of tuberculosis, died Sunday by mistake.

Before jumping into the Seine, where he died, M. Doucrain had written in his notebook, “Forgive me, Dad. I like you.”

The Oulipo did wonders with constraint. Michael Agger in Slate brings up the possibility of Twittering as a new sort of Zen Koan. Or what of Twitter as the possibility for a haiku?

old pond . . .
a frog leaps in
water’s sound

Which is all to say that the “lowered” level of discourse isn’t as bad as some would make it out to be. Sure, people will not always put in the thought to make a Twitter post as pithy as Oscar Wilde would (nor can we be sure Oscar Wilde wouldn’t be a boring person to follow on twitter), but the form is not to blame. It allows for both profundity and banality, both of which are valuable in equal measure. As for the banality of it: living in Scotland, I can keep up with my friends in the US, and they can keep up with me. I am privy to the small details of the lives of people I love, whether they happen to be witty (as they sometimes are) or just mundane (as most of our daily details are). Is that really so terrible?

And, in honor of my father who would always remind me when I was complaining that there was nothing good on tv that “It has an off button,” I will remind you that if you don’t like it, no one is making you use it.



Being kept, sugar.
April 12, 2009, 5:23 am
Filed under: NYTimes

In the wake of Freakonomics and Moneyball everyone seems to want to economize everything, that is treat everything as an economic transaction of some sort, attributing rational motivations to every human or nonhuman decision. Which is why we will always need narrative journalism. This is an article in the NYTimes magazine discussing the economics of love, or partnership, or money. It begins with the modern currency, or maybe a timeless one, youth and beauty on one side and money on the other. It fractures out from there, from the rational decision-making through the flaws and jealousies, to the irrational emotional side of things. Nothing, as it shows, is ever quite as simple as we would believe it to be. It is interesting to see how things complicate themselves for men looking for “ego balm” and for women looking for “money.” It looks like it rarely ever stays that rational.

I have my doubts and reservations about the article, but it doesn’t attempt to lead you by the hand to any conclusion save that you simply never know enough. This was the problem, if you remember, with Crash. No short-form journalism, no hand-holding, no finger-pointing. This is the sort of thing I think we need to foster more, quick facts and hand-holding seem to be in no danger of extinction.

Anyway, good article.



Give Up, the speed of time, a 14-year window. Alert: wistful and partially fractured post.
April 9, 2009, 3:19 pm
Filed under: music, random | Tags: , , , , , , ,
Give up!

Give up!

Looking through my music collection today I realized that the album “Give Up” by The Postal Service is fully 7 years old. This means that it has been 7 complete, tumultuous and jarring years since the first time I remember thinking to myself that I was finally old enough. As we were dragging my boxes, my computer and my speaker system up the stairs of the dorm, I could barely hear my parents over the sound of someone playing “Such Great Heights” loudly enough that we could still hear it in my hall, one flight up and all the way across the floor. I had a minifridge, my parents left me there and I didn’t have anyone to answer to. My brothers had left starting 7 years before that and I remember believing I would never get to that point. I think the record was on repeat, or I’m completely conflating the track with my memories, because I swear it was playing when they left, too. I remember this clearly. I was ecstatic, nervous and a little scared but full of joy. (more…)



LOL-ita.
April 5, 2009, 4:10 am
Filed under: book | Tags: , , , , ,

The first page of Lolita translated into 14 year old girl AOL speak: Ladies and Gentlebeans, I give you, LOLita.

LOLITA LIGHT OF MAH LIEF FIER OF MAH LOINS!!1!!!!! WTF LOL MAH SIN MAH SU!1!!1 WTF LO-LE-TA TEH TIP OF TEH 2NGUE TAKNG A TRIP OF THRE STEPS DOWN DA PALAET 2 TAP AT THRE ON DA TETH!111!! LO!1111! LE!11!!!!1 OMG WTF LOL TA
SHE11!1 WAS LO PLANE LO IN TEH MORNNG STANDNG FOUR FET TEN IN ONE SOK!11! OMG WTF LOL SH3 WAS LOLA IN SLAKS!!1111!1 WTF LOL SHA WAS DOLY AT SKOOL111111 WTF LOL SH3 WAS DOLORES ON TEH DOT3D LIEN1111 WTF BUT IN MAH ARMS SH3 WAS ALWAYS LOLITA
DID111!1! SHE HAEV A PRACURSOR?!!??!? OMG WTF LOL SHE DID INDED SH3 DID11!!111! LOL IN POINT OF FACT THEYRE MIGHT HAEV B3N NO LOLITA AT AL HAD I NOT LOVED ONA SUM3R A CARTANE INITIAL GIRL-CHILD!!!11 OMG WTF LOL IN A PRINCEDOM BY DA S3A!!1!! LOL O WH3N?!?!! WTF LOL ABOUT AS MANY Y3ARS BFOR3 LOLITA WAS BORN AS MAH AEG WAS TAHT SUM3R1111!1!1 OMG WTF U CAN ALWAYS COUNT ON A MURDERAR FOR A FANCY PROSA STYL3
LADEIS!1!!!!! WTF LOL AND G3NTLAMAN OF TEH JURY AXHIBIT NUMBR ONE IS WT S3RAPHS TEH MISINFORMAD SIMPLE NOBLA-WNGAD SERAPHS ANVEID!!!1 OMG LOL LOK AT THIS TANGL3 OF THORNS1!!1!111 WTF LOL



Sean Higgins — Food Writer, Blog Celebrity. Blogorati.

Welcome to my little corner of the blogosphere!

I have a review up at Lizzy Youle’s Food Blog of a meat pie.

At Ghost Island we are currently constructing an online chz-yr-own adventure novel. We took a map and are treating it like a map of Ghost Island, and then playing a game of literary chess with it, by responding to other people’s challenges and then setting our own. It’s collectively insane but, I think, really fun. We are going to self-publish a physical version of it once we get everything together, if anyone is interested in purchasing said book, I’m sure it won’t be too expensive. Check it out, it’s a few posts down, we are nearly done with about 1/3 of the map.

Here is pictorial evidence of how cool the choose your own adventure will be:

Sick!

Sick!



Growing up on facebook — notes on a generational divide, or: A Photograph Is Not a Memory.
March 15, 2009, 10:58 am
Filed under: media, technology | Tags: , , , ,

My father sent me this article this morning, from the New York Times Magazine about those who grow up not knowing a time before facebook. The author, Peggy Orenstein, seems to place a fundamental divide between those who didn’t grow up with it and those who have–she seems to think that those under the age of 25 have no past (no pre-facebook past, that is) to look back on, that facebook will fundamentally change the way that young people grow up.

Yes, I think to a certain extent, this is true. At least that many don’t really have a truly pre-facebook past to look back on. Yes, we are probably growing up differently than her generation. The pitfalls of being a child, of growing into an adult are different: as Liz Lemon notes, there are way more things for a guy not to call you on now. However, this is not better or worse, only different. The landscape Orenstein lays out is from the perspective of someone who does not accept the technology as a matter of fact, but as a generational quirk, something for the kids, the way many generations seem to view the new:

Six of my nieces will head off to college over the next several years. Some have been Facebooking since middle school. Even as they leave home, then, they will hang onto that “home” button. That’s hard for me to imagine. As a survivor of the postage-stamp era, college was my big chance to doff the roles in my family and community that I had outgrown, to reinvent myself, to get busy with the embarrassing, exciting, muddy, wonderful work of creating an adult identity. Can you really do that with your 450 closest friends watching, all tweeting to affirm ad nauseam your present self?

Fear of technology, of change, is endemic to all gaps between generations–she seems to want to question whether or not the new changes in technology are positive or negative, as if it were possible to simply return to a time before facebook or myspace when no one had any of their photos or information published on the internet. But it’s just the way it is. Since my life straddles the pre- and post-facebook landscape, I can say that it is true, it can be remarkably messy to drag an internet trail behind you, messier than simply being able to leave. A physical absence no longer means true absence, every person who has an iphone in their pocket can be triangulated and tacked-down.

From Jay Leek and Karin Higgins (no relation) in UC Davis Magazine
From Jay Leek and Karin Higgins (no relation) in UC Davis Magazine

It might be harder to escape your past, but this fact might present an opportunity for the consideration of a basic lesson: physically escaping the evidence or location of your past in person does not mean escaping your past. As Orenstein ably observes, Faulkner would love facebook, the haunting evidence of our undead pasts. It reminds us that simply because the past was once hidden, does not mean it was gone. I think my generation and the next will likely have to be more comfortable with their pasts, with seeing records of the radical breaks and cuts that one must make in growing up. We will learn, maybe more than the past generations, that a person is not identical to itself across time. We will learn, maybe, that one doesn’t need to leave their past to make a radical break, to grow up, to continue becoming different.

And to the idea of the entireties of our lives being encoded, digitized and indexed by facebook, google, etc. I think this idea, implicit in the article as a sort of neo-luddite critique rather than an ethical or political one, is reactionary. It reminds me of the articles people wrote when the cassette tape first became a viable commercial medium–terrified that it would kill the radio. If people could record songs whenever they wanted to, what’s to keep them listening to the radio? Or buying records for that matter? To fear or criticize the digitization of lives is a pointless and impossible task. Energy could be better spent fostering a greater critical engagement with the effects, ethics and politics of this digitization, rather than simply raging against change we fear.

The anatomy of a polaroid pack

The anatomy of a polaroid pack

Digitization cannot replace our memories. To take a picture is not to record a moment, to post on facebook is not to archive that moment. A photograph is not a memory. It is a suspension, a willful suspension. Our lives, in a very real way, exceed our attempts to record them, a photograph or a video is framed, our lives are not. Our sensory, spatial, and temporal experience exceeds any attempt to encode or capture it. This is all to say: our lives, even though they appear to be recorded, are still much richer and noisier, more complex and variegated than any recording would or could ever indicate. And furthermore, there is still a great deal of life lived off the internet, and that can never be put on the internet no matter how much we attempt to record. Our lives will always exceed our recordings of it. A recording is no more than a trace.

The important thing is to examine the ways that this recording affects our memories of real experience. It doesn’t kill or replace our memories, it interacts with them, it operates as a new item introduced into an already complex and dynamic system of remembering. Our memories still work in ways that supplant and alter physical evidence. To remember something is to recreate it. Insofar as memories are never strictly factual, the recording of facts or visual evidence is rather irrelevant to the process of real memory. I agree we should be critical of the system, we should pay attention to it. But people talk about this technology as if it were something that could be changed–this is not the case. They worry, their children live it is as if it were the way it had always been. It will be the same for us and our children, too.

It’s not simply better or worse, necessarily, just different. Not a thing to worry about, though certainly something we should be paying attention to.